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Museology --- scenography [discipline] --- exhibitions [events]
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De woelige zestiende eeuw trok niet alleen diepe voren door de Nederlandse samenleving, maar liet ook duidelijk zijn sporen na in de kunst. De beeldenstorm, de Spaanse bezetting, de opstand, soms zien we er bewijs van. Waarom dragen die Romeinse legionairs op Brueghels Kruisdraging Spaanse helmen? En wat doet die opvallende Habsburgse adelaar op hun vlag? Die staat toch voor het juk dat we willen afwerpen? En die halve maantjes en Turkse hangsnorren op Brueghels Bekering van Saulus? Het kan niet anders dan dat er een diepe betekenis achter zit. Waren de kunstenaars van de Nederlandse renaissance stiekem verzetshelden? Of toch pragmatici die zich voegden naar hun opdrachtgevers? We volgen hun spoor vanaf het einde van de middeleeuwen in luxe getijdenboeken, via vele werken van Pieter Brueghel II ('de jonge') tot de grote kunstenaars van de Vlaamse Barok in de zeventiende eeuw.
Art --- iconography --- political art --- Bruegel, Pieter [Elder] --- Bruegel, Pieter [Younger] --- Exhibitions
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An Inner World', the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world--figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age. Exhibition: The Clark Art Institute, Williamstown, USA (05.03.-01.10.2017).
Painting, Dutch --- Kaplan, Thomas S., --- Painting --- genre [visual works] --- anno 1600-1699 --- Netherlands --- Exhibitions --- genre pictures --- Hollandse school
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Beautifully illustrated catalogue in small format capturing the scope and content of the exhibition. The book comprises an introduction, followed by an overview of a hundred magnificent works of art from the Gilbert Collection: silver and gold treasures, micromosaics, golden snuffboxes and enamel miniatures. The final chapters reveal aspects of the fascinating ongoing research into this world-renowned collection. Museum conservators and scientists reflect on the craftsmanship and techniques and on the efforts to uncover the provenance of desirable and decorative objects such as these, some of which conceal a troubling history.
Applied arts. Arts and crafts --- gold [metal] --- silver [metal] --- art collections --- Gilbert, Arthur --- Gilbert, Rosalinde --- Gilbert Collection [London] --- Exhibitions --- Painting --- miniature [size attribute] --- edelsmeedkunst
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Around 1500, portraiture flourished like never before. In countless European cities major Renaissance artists like Hans Holbein II, Albrecht Dürer, Hans Memling and Antonello da Messina produced lifelike portraits at the highest artistic level. For the first time in history, they not only immortalized kings and noblemen but also, and increasingly, powerful bankers, wealthy merchants and renowned scholars. These paintings, busts, medallions, prints and drawings still bear witness to their power, status, ambitions, friendships and religious convictions. 'Remember Me ' uses international masterpieces and surprising unknowns to tell the personal stories of the people portrayed. How did they want to be remembered? Whether they are lovers, celebrities or believers worshipping saints, the people portrayed implore the onlookers not to forget them.
Portrait --- Portraits, Renaissance --- Portrait painting, Netherlandish --- Portrait painting, European --- Exhibitions --- European portrait painting --- Netherlandish portrait painting --- Renaissance portraits --- Drawing --- Painting --- portraits --- Renaissance --- anno 1400-1499 --- anno 1500-1599
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Painting --- influence --- light [energy] --- landscapes [representations] --- Cuyp, Aelbert --- Gainsborough, Thomas --- Constable, John --- Turner, Joseph Mallord William --- Exhibitions --- invloed van Hollandse school
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Catalogus bij een tentoonstelling van het werk van de Nederlandse schilder (1621-1675), die vooral bekend stond als schilder van het ruige Scandinavische landschap, maar ook zeegezichten, Nederlandse rivier- en dorpsgezichten schilderde en een reeks illustraties maakte van het verhaal Reinaert de Vos. Beschrijving van het leven en werk van de Nederlandse schilder (1621-1675), die vooral bekendheid kreeg met zijn schilderijen van ruige beboste Noorse berglandschappen en watervallen; met bijna 400 afbeeldingen.
Drawing --- Painting --- Graphic arts --- drawings [visual works] --- etchings [prints] --- influence --- easel paintings [paintings by form] --- landscapes [representations] --- Reinaert de vos --- Everdingen, van, Allaert --- Exhibitions
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Painting --- exhibitions [events] --- imagination --- collecting --- easel paintings [paintings by form] --- observation --- provenance [source of origin] --- anno 1600-1699 --- anno 1700-1799
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Panorama de la diversité du patrimoine artistique du Musée d'Ixelles, des arts anciens à l'impressionnisme belge, à travers les collections de tableaux de deux marchands d'art : Léon Gauchez (1825-1907) et Octave Maus (1856-1919).
Drawing --- Painting --- drawings [visual works] --- easel paintings [paintings by form] --- art collections --- Impressionist [style] --- Leroi, Paul --- Maus, Octave --- Museum of Ixelles --- anno 1500-1799 --- anno 1800-1899 --- Netherlands --- Belgium --- Gauchez, Léon --- Collections d'art. --- Museum van Elsene --- Gauchez, Léon --- Willems, Joseph-Benoît --- Rops, Félicien --- Art --- fine arts [discipline] --- Art, Belgian --- Drawing, Belgian --- Painting, Belgian --- Art museums. --- Arts - Benelux countries - Exhibitions --- Dürer, Albrecht, - 1471-1528 - Exhibitions --- Rops, Félicien, - 1833-1898 - Exhibitions --- Maus, Octave, - 1856-1919 --- Gauchez, Léon, - 1825-1907 --- Arts --- Dürer, Albrecht, - 1471-1528 --- Rops, Félicien, - 1833-1898 --- Museum van Elsene. --- Gauchez, Léon. --- Willems, Joseph-Benoît. --- Rops, Félicien. --- museumgeschiedenis
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The Bruegel Success Story. This small phrase evokes the brand invented by the great Pieter Bruegel the Elder (c. 1526/7–69), which was capitalised on by his two sons and many followers. It was the natural theme for a symposium that brought together art historians, scientists and connoisseurs to celebrate the art of Pieter Bruegel and his indelible influence on the generations that followed. The idea for The Bruegel Success Story Colloquium took root at the Royal Institute for Cultural Heritage in Brussels, where Bruegel’s most enigmatic painting, the Dulle Griet, was being restored in preparation for the great Bruegel exhibition at the Kunsthistorisches Museum in Vienna in 2018-19. The papers presented at the symposium that now appear as beautifully illustrated essays in this book are the fruit of research by both renowned experts and relative newcomers, all of whom have been profoundly touched by the art of Pieter Bruegel and his progeny.
Bruegel, Pieter (1525?-1569) --- painting [image-making] --- influence --- Bruegel, Pieter [Elder] --- Bruegel, Jan [Younger] --- Bruegel, Pieter [Younger] --- Bruegel, Jan [Elder] --- drawing [image-making] --- Painting --- Exhibitions --- Painting, Flemish --- Bruegel, Pieter, --- Bruegel family --- Influence. --- Bruegel, Pieter
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